Eiocha
Instrument: Danu System
Drawing its name from the Celtic
mother-goddess, Danu
System was designed for allegorical reproductions of biological
forces and natural phenomena, creating sonic environments that tell stories
about the natural world, its people, and their
interpretations of nature.
Fractal sequencing, granular
textures, physical modelling synthesis and deep modulation matrixes sonify our
principles and breathe organismic behaviour into imagined microcosms.
Piece: Eiocha
“Once upon a time, there was no
time and that was when there also was no gods and no man walked the surface of
the land. But there was the sea, and where the sea met the land, a mare was
born, white and made of sea-foam. And her name was Eiocha.” - Scott A. Leonard (2004) "Myth and
Knowing"
Eiocha is an ambient performance on modular synth,
where modulation interactions recreate what an ancient Celt may have felt
whilst observing the shoreline, considering the invisible and unknown forces at
play.
Patch:
The modulation centre represents the
force of the moon on the tide, which breathes motion into its surroundings. The
modules built by Glasgow-based Instruo take their names from Gaelic words. The
filter module's name Tràigh means “the rise and fall of the sea.” The sea is represented by three
oscillators, whose suffocated tones depict submerged movement beneath the waves. Bloom, a fractal
sequencer designed around plant growth and permutation, represents the
diversity of aquatic life beneath. Chance procedures cause continual generative evolution
characterising the Celtic subjects' unknowing of the deep. The piece is
polyphonically quantised in a traditional Celtic scale, and a physical
modelling synthesis module excites an amorphous corpus that shifts between
illusory sounds based on traditional iron age instruments and working
practices. Textural synthesis contributes to the aural field, tied tightly to
the lunar modulation network.
Information on the system can be
found here:
https://www.modulargrid.net/e/racks/view/1471997
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